![]() ![]() So true Do you find this post useful? May I just express my joy that there are still in 2010, people who are only now discovering such famous and, even to some, overplayed masterpieces of the past for the first time! Something to remember.that even though we may be mindful of the history and the performance practices and that audiences are mindful of the same things, any performance of the Appassionata or works like it may be (likely will be) the first time someone in those audiences has heard it. Wow, you can go back and be that for somebody. I am now remembering the first time I heard the slow movement of op. Isn't it inspirational? Doesn't it breath new life into the process? And it magnifies the responsibility at the same time.Īh well, I just think that's cool. Something to remember.that even though we may be mindful of the history and the performance practices and that audiences are mindful of the same things, any performance of the Appassionata or works like it may be (likely will be) the first time someone in those audiences has heard it. Beethoven’s “Tempest” Sonata invites us to. Review of Beethoven’s Tempest Sonata: Perspectives of. ![]() ' ' Go and read Shakespeare's Tempest (Sonata ApasIf. Do you find this post useful? May I just express my joy that there are still in 2010, people who are only now discovering such famous and, even to some, overplayed masterpieces of the past for the first time! ![]() Isn't it inspirational?ĭoesn't it breath new life into the process? And it magnifies the responsibility at the same time. So I'm just wondering what do you think, is it too challening?Īnd if anyone can play it how difficult was it to learn? Here's the link to Valentina Lisitsa playing it, she's absolutley brilliant Do you find this post useful? May I just express my joy that there are still in 2010, people who are only now discovering such famous and, even to some, overplayed masterpieces of the past for the first time! Something to remember.that even though we may be mindful of the history and the performance practices and that audiences are mindful of the same things, any performance of the Appassionata or works like it may be (likely will be) the first time someone in those audiences has heard it. I'm on grade 8 now and I'm learning the 3rd movement of the pathetique sonata and the most difficult thing I can play is the fantasie impromptu. I especially like the third movement and I want to learn it, but apparently it's past grade 8 and diploma standard so I think it might be too much of a challenge for me. ![]() I just heard Beethoven's Appassionata sonata a few days ago for the first time and I love it I like it better than the pathetique and moonlight sonatas. ![]()
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